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Travels in the Scriptorium

Travels in the Scriptorium

 An old man sits in a room, with a single door and window, a bed, a desk and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written labels, and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises. Who is this Mr Blank, and what is his fate? What does Anna represent from his past - and will he have enough time to ever make sense of the clues that arise? After the huge success of The Brooklyn Follies, his new novel sees Auster return to the metaphysical territory familiar from his enormously influential The New York Trilogy. A dark puzzle, and a game that implicates both reader and writer alike, Travels in the Scriptorium is a mind-altering exploration of language, responsibility and the passage of time. 'Travels in the Scriptorium returns to . . . the nihilistic gaiety of Beckett (in particular Krapp) or the sub-dermal violence of Pinter.' New Statesman  

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Faber & Faber

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KM 21,60

Očekivana isporuka: 5—7 radnih dana.

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Proizvod je dostupan: NE

Autor: Auster Paul
ISBN: 9780571232567
Godina izdanja: 2007
Broj stranica: 144
Težina: 115
Tip uveza: Paperback
Prevod sa:
Auster Paul

Auster Paul

Paul Auster (Newark, New Jersey, 1947 – Brooklyn, New York, 2024) was a prominent American novelist, essayist, translator, screenwriter and poet. He gained his recognition through a characteristic combination of existentialism, absurdity and metafiction, often exploring the themes of identity, loneliness and the search for meaning in his works.

He studied at Columbia University, but dropped out before graduating. He worked as a translator and editor before devoting himself fully to writing. His literary career began with the publication of The Glass City (1985), which introduced themes of chance, coincidence, and the unpredictable nature of human existence that would recur in his novels. One of Auster's most notable works is The New York Trilogy (1987), a collection of three interconnected novels that established him as a leading figure in American postmodern literature. Other works, such as Moon Palace (1989), The Music of Chance (1990), Leviathan (1992), and Brooklyn Review of Folly (2005), which blend elements of detective fiction, autobiography, and philosophical reflections, further cemented his reputation. Auster also wrote poetry, essays, and memoirs, including The Invention of Solitude (1982) and The Winter Diary (2012). He also tried his hand at writing scripts and directing in films such as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007).

Auster is the recipient of numerous awards and recognitions. He was a member of the American Academy of Arts and Letters and a recipient of the French Order of Achievement in Arts and Letters. His books have been translated into more than forty languages. Revered for his imaginative storytelling and intellectual depth, Auster continues to be a prominent voice in contemporary American literature.

 An old man sits in a room, with a single door and window, a bed, a desk and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written labels, and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises.

Who is this Mr Blank, and what is his fate? What does Anna represent from his past - and will he have enough time to ever make sense of the clues that arise?

After the huge success of The Brooklyn Follies, his new novel sees Auster return to the metaphysical territory familiar from his enormously influential The New York Trilogy. A dark puzzle, and a game that implicates both reader and writer alike, Travels in the Scriptorium is a mind-altering exploration of language, responsibility and the passage of time.

'Travels in the Scriptorium returns to . . . the nihilistic gaiety of Beckett (in particular Krapp) or the sub-dermal violence of Pinter.' New Statesman

 

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